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Dorian Wilson (Conductor) Saves St. Petersburg Philharmonic Orchestra (Artistic Director: Yuri Temirkanov)  Dorian Wilson will conduct the St. Petersburg Philharmonic Orchestra on December 29 on behalf of Vladimir Jurowski, Principal Conductor of the London Philharmonic Orchestra. At age 24, Wilson was given a position by the Moscow Philharmonic Orchestra, an unprecedented appointment as an American conductor during the Soviet era. Later, he was granted an honorary title by the St Petersburg Academic Symphony Orchestra. Since then he has maintained close relationships with the Russian music scene. His performance by proxy this time proves how much he has gained trust from the orchestra. The details of the concert are as follows: 29, Monday 19.00 3rd concert of the Season Ticket No.3 <First Russian Symphony Orchestra> ST.PETERSBURG PHILHARMONIC ORCHESTRA Conductor Dorian WILSON (USA) Soloists: Yuri MARUSIN tenor Anna MAKAROVA harp Mikhail LESTOV marimba DUKAS. "L'Apprenti sorcier" (The Sorcerer's Apprentice) CRESTON. Concertino for marimba and orchestra DELTOUR. Concertino in jazz for harp and orchestra MASCAGNI. Intermezzo from the opera "Cavalleria Rusticana" PUCCINI, LEONCAVALLO, CILEA Dorian Wilson Profile |
Ongaku Gendai January 2009
Tokyo City Philharmonic Orchestraﾕs 222nd subscription concert
On October 17, 2008/12/23
At Tokyo Opera City Concert Hall
The conductor Dorian Wilson impressed the audience with his superb musicianship, which is straightforward and spontaneous as if his good upbringing were mirrored in it, as soon as the concert opens with the Introduction and Polonaise from Mussorgskyﾕs opera Boris Godnov (Rimsky-Korsakov edition). He treated Rimsky-Korsakovﾕs the Golden Cockerel Suite with an approach that had nothing to do with the original opera, never emphasizing the portrayal side of the theatrical performance. Some may praise that approach as sophistication, and some may say that something is missing. What can be said for sure, however, is that he added a certain dignity to the conclusion of this gaiety piece.
Similarly, Tchaikovskyﾕs fifth symphony in the half of the program was free of a grandiose feeling as Wilson blended strong feelings attributed to the work into a mild sound. Judgment may vary concerning this treatment. However, his interpretation of the second movement, where he didnﾕt resort to the mellow melody or excessive singing, and the finale, where he stressed euphoria rather than brightness, was so straightforward that the audience could accept it without any reservation.
Ongaku no Tomo, December 2008
By Naoya Takayama
Tokyo City Philharmonic Orchestra's 222nd subscription concert
On October 17, 2008
At Tokyo Opera City
The Tokyo City Philharmonic Orchestra's 222nd subscription concert was titled "the Dawn of the Russian Nationalist School." The conductor was Dorian Wilson, based in Germany. Having been the youngest to be appointed as the second conductor of the Moscow Philharmonic, he has a close relationship with Russia.
The first half of the concert was the Introduction and Polonaise from Mussorgsky's opera Boris Godnov (Rimsky-Korsakov edition) and Rimsky-Korsakov's the Golden Cockerel Suite.
From the beginning, Wilson sounded like he was trying to convey his own opinions without any reservation and free from a bluff. This approach could have created a gap between he and the musicians. But he appeared to be too brave to be afraid of such a possibility. He treated the Golden Cockerel as if it were a musical picture, covering it with a portrayal gown, while keeping his fortitude inside, which became apparent in the fourth piece.
The last half of the program was the evening's highlight - Tchaikovsky's fifth symphony. By that time, the audience had become able to guess how Wilson would lead the music. As expected, he demonstrated a dynamic flow throughout the performance, drawing a spontaneous arch over the music. What we heard from the Tokyo City Philharmonic in the music was a strong, dynamic sound, which had never heard from the orchestra. If I were allowed to ask for more, I would have wanted higher precision in the background performe in piano. However, the performance closed with a dignified, spectacular ending.
Upcoming Live CD Release! Dorian Wilson, Conductor Gunma Symphony Orchestra Subscription Concert On June 14, 2008 A genius, discoverd by the Russian music scene , reproduces winter scenes and reveries with his outstanding technique. "Winter Reveries" |
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Rimsky-Korsakov : The Snow Maiden
, Suite Tchaikovsky : Symphony No.1 in G minor op,13 "Winter Reveries" Dorian Wilson,Conductor Gunma Symphony Orchestra Live Recording at the Gunma Music Center, Takasaki, Japan on June 14, 2008 WWCC-7590 On sale from October 25 at major CD shops in Japan! Live Notes Nami Records. Co., Ltd 2-11-3-202 Kamiosaki, Shinagawa-ku, Tokyo 141-0021, Japan TEL : +81(0)3 3440 5542 FAX for CD orders only : +81(0)3 3440 5401 E-mail : livenotes@nami-records.co.jp Co-Production : Kojima Concert Management Co.,Ltd |
| Doriann Wilson Profile | |
Ongaku no Tomo, August Issue
By Toshiya Hibiki
Osaka Philharmonic Orchestra's 418th subscription concert
On May 23, 2008
At The Symphony Hall, Osaka
During its current season, which started in April, the Osaka Philharmonic Orchestra performs all their subscription concerts with conductors invited from overseas, except for Eiji Oue, its music director. The first among those conductors to appear with the orchestra was Dorian Wilson. The outstanding 44-year-old conductor received his musical education and training mainly in the U.S. and Vienna. Currently based in Germany, he frequently appears in the opera houses and performs with orchestras in Europe.
The concert with the Osaka Philharmonic Orchestra was opened by Mendelssohn's Symphony No. 1. Under the baton of Wilson, the performance was firm and smooth just like a well-starched and skillfully ironed shirt. That treatment explained why this less frequently performed piece was chosen for the program. Each ensemble was treated with precise care, creating crisp sound.
The soloist for Bartok's Viola Concerto was Antoine Tamestit. His performance was eloquent and lustrous, and never became too wild or out of control. He miraculously realized smooth flow of music while providing careful treatment to each note. In deed, he proved himself as one of the leading artists of the next generation.
Respighi's ballet suit "Belkis, regina di Saba" is a tough work for a conductor to control the huge orchestration. Wilson, who had exceptionally good ears, had no difficulty in untangling the various parts that were intertwining each other. And then, he added vivid colors to the music, and delivered it to the audience. Not a note, even played in an exploding sound, lost clarity. He did have a practical wisdom of music making that could only be gained through deep knowledge with actual music performing experiences. The orchestra responded to him with a superb performance.
Ongaku no Tomo, August Issue
By Akiko Minozaki
Gumma Symphony Orchestra's 446th subscription concert
On June 14, 2008
At the Gumma Music Center, Gumma
The Gumma Symphony Orchestra's 446th subscription concert offered a program, which consisted of works by three Russian composers. The conductor was Dorian Wilson. He skillfully controlled the orchestra with a laid-back conducting posture, while paying careful attention to each detail.
The concert opened with Rimsky-Korsakov's opera "Snow Maiden" suite. Wilson, being familiar with conducting opera works, skillfully reproduced chirping of forest birds and scenes of Russian dance with well-balanced winds and strings.
Rimsky-Korsakov was followed by Prokofiev's Violin Concerto No. 2. The soloist was Asako Urushihara. She played from memory from the melancholy melody at the beginning alｌ through to the end of the work. Putting an absolute confidence in this soloist, Wilson led the orchestra tactfully to create exquisite musical communication with the violin. The colorful and opulent melodies in the second movement were spontaneous, and the light and crisp rhythm of castanet in the third movement buoyed the audience.
The latter half of the concert was Tchaikovsky's Symphony No. 1 "Winter Daydreams". Wilson treated this depressing-character work by young Tchaikovsky with abundant expressions, and turned it into attractive melodies. He put down his baton in the second movement. He appeared as if he were lulling the orchestra and gently holding the music, while the singing oboe was effectively featured. The finale was full of speed and power, leading to the grand ending.
Ongaku Gendai, August Issue
By Shinichi Shigihara
Osaka Philharmonic Orchestra's 418th subscription concert
On May 23, 2008
At The Symphony Hall, Osaka
The Osaka Philharmonic Orchestra's special feature for this season is inviting middle generation conductors from other countries. On May 23, Dorian Wilson appeared with the orchestra to commence the featured series.
The first half of the concert was Mendelssohn's Symphony No. 1. The brisk tempo revealed this young conductor's high spirit.
The latter half of the concert opened with Bartok's Viola Concerto. The sharp solo performance by Antoine Tamestit was outstanding. The rustic treatment applied to the solo part of the piece, which is the composer's posthumous work, was excellent. This young talented soloist breathed new life into the work.
The program was closed by Respighi's "Belkis, regina di Saba". The rhythm of the dance was vibrant and dynamic. The brass and woodwinds were lucid and vivid. The entire orchestra sounded jubilant in a festive mood. That force almost drove the orchestra ahead of the conductor's baton.
The program consisted of three pieces, all of which are rarely performed at concerts. But they inspired the curiosity of the skilled musicians of the orchestra, and brought out delightful ensembles. The orchestra's idea of introducing new trends in the U.S. and European countries and avoiding mannerism in programming was well received by the audience.
St. Petersburg Academic Symphony Orchestra Appoints Dorian Wilson
Its Permanent Guest Conductor
Mr. Dorian Wilson was honoured with the title of Permanent Guest Conductor of the St. Petersburg Academic Symphony Orchestra by the orchestra's Art Director, Alexander Dmitriev, in recognition of the longstanding favourable relationships between the conductor and the orchestra.
From 2008 onward, Mr. Wilson will frequently appear with Japanese and Chinese orchestras while maintaining his active performing career throughout Europe.
Wilson appears as the replacement conductor with the Malaysian Philharmonic
The Malaysian Philharmonic Orchestra has invited Dorian Wilson, Music Director of the Belgrade Philharmonic Orchestra, to conduct its concerts on June 30th and July 1st, 2007, substituting for Rafael Fruhbeck de Burgos, who has become unable to conduct these concerts due to medical reasons.
Program
M.Falla : El sombrero de tres picos
M.Falla : Niches en los jardines de Espana
O.Respighe : Poema sinfonico 'Fontane di Roma' , 'I pini di Roma'
The Malaysian Philharmonic Orchestra
Dorian Wilson
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